First Paragraphs

I enjoy seeing how an author chooses to begin.

Cover of Gravity’s Rainbow

Gravity’s Rainbow

Thomas Pynchon

A screaming comes across the sky. It has happened before, but there is nothing to compare it to now.

Cover of Something in the Woods Loves You

Something in the Woods Loves You

Jarod K. Anderson

There's an old story about great blue herons. It says that while hunting the twilight shallows, herons can produce a strange, luminescent powder, pluck it from betweee their feathers with their spear-like beaks, and sprinkle it on the dark water to attract fish.

Cover of Hell Yeah or No

Hell Yeah or No: What’s Worth Doing

Derek Sivers

You know that feeling you have after a big meal? When you’re so full that you don’t want anything more?

Cover of The Penguin Jazz Guide

The Penguin Jazz Guide: The History of the Music in the 1001 Best Albums

Brian Morton, Richard Cook

Igor Stravinsky said that the Recording Angel he cared about wasn’t CBS but the one with the Big Book. In the same way, many early jazz artists were either indifferent to or plain suspicious of recording. It was a view initially shared by the otherwise expanding recording companies. Music had not been originally thought an important use of the new sound technology, whose chief applications were believed to be in business — particularly stenography — and factual communications.

Cover of The Long Ships

The Long Ships

Frans G. Bengtsson

Many restless men rowed north from Skania with Bue and Vagn, and found ill fortune at Jörundfjord; others marched with Styrbjörn to Uppsala and died there with him. When the news reached their homeland that few of them could be expected to return, elegies are declaimed and memorial stones set up; whereupon all sensible men agreed that what had happened was for the best, for they could now hope to have a more peaceful time than before, and less parceling out of land by the ax and sword. There followed a time of plenty, with fine rye harvests and great herring catches, so that most people were well contented; but there were some who thought that the crops were tardy, and they went a-viking in Ireland and England, where fortune smiled on their wars; an many of them stayed there.

Cover of Lonesome Dove

Lonesome Dove

Larry McMurtry

When Augustus came out on the porch the blue pigs were eating a rattlesnake—not a very big one. It had probably just been crawling around looking for shade when it ran into the pigs. They were having a fine tug-of-war with it, and its rattling days were over. The sow had it by the neck, and the shoat had the tail.

Cover of In Ascension

In Ascension

Martin MacInnes

I was born in the lowest part of the country, 22 feet beneath the sea. When my sister arrived three years later we moved south into the city proper, Rotterdam’s northern district. The land was newly excavated, freshly claimed from the seafloor, dredged by ships and reinforced by concrete. Parts of the street came loose, the ground underneath still soft. I remember burning incense, a brackish smell indoors, as if every moment were a spell, a scene that had to be called into being.

Cover of Valis

Valis

Philip K. Dick

Horselover Fat's nervous breakdown began the day he got the phonecall from Gloria asking if he had any Nembutals. He asked her why she wanted them and she said that she intended to kill herself. She was calling everyone she knew. By now she had fifty of them, but she needed thirty or forty more, to be on the safe side.

Cover of The Forty Day of Musa Dagh

The Forty Day of Musa Dagh

Franz Werfel

How DID I get here?

Cover of Chocky

Chocky

John Wyndham

It was in the spring of the year that Matthew reached twelve that I first became aware of Chocky. Late April, I think, or possibly early May; anyway I am sure it was the spring because on that Saturday afternoon I was out in the garden shed unenthusiastically oiling the mower for labours to come when I heard Matthew’s voice speaking close outside the window. It surprised me; I had had no idea he was anywhere about until I heard him say, on a note of distinct irritation, and apropos, apparently, of nothing:
”I don’t know why. It’s just the way things are.”

Cover of The Crying of Lot 49

The Crying of Lot 49

Thomas Pynchon

One summer afternoon Mrs Oedipa Maas came home from a Tupperware party whose hostess had put perhaps too much kirsch in the fondue to find that she, Oedipa, had been named executor, or she supposed executrix, of the estate of one Pierce Inverarity, a California real estate mogul who had once lost two million dollars in his spare time but still had assets numerous and tangled enough to make the job of sorting it all out more than honorary. Oedipa stood in the living room, stared at by the greenish dead eye of the TV tube, spoke the name of God, tried to feel as drunk as possible. But this did not work. She thought of a hotel room in Mazatlán whose door had just been slammed, it seemed forever, waking up two hundred birds down in the lobby; a sunrise over the library slope at Cornell University that nobody out on it had seen because the slope faces west; a dry, disconsolate tune from the fourth movement of the Bartók Concerto for Orchestra; a whitewashed bust of Jay Gould that Pierce kept over the bed on a shelf so narrow for it she’d always had the hovering fear it would someday topple on them. Was that how he’d died, she wondered, among dreams, crushed by the only ikon in the house? That only made her laugh, out loud and helpless: You’re so sick, Oedipa, she told herself, or the room, which knew.

Cover of The Scarlet Letter

The Scarlet Letter: A Romance

Nathaniel Hawthorne

A throng of bearded men, in sad-colored garments and gray, steeple-crowned hats, intermixed with women, some wearing hoods, and others bareheaded, was assembled in front of a wooden edifice, the door of which was heavily timbered with oak, and studded with iron spikes.

Cover of All Systems Red

All Systems Red: The Murderbot Diaries 1

Martha Wells

I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don’t know, a little under 35,000 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.

Cover of Changing Planes

Changing Planes

Ursula K. Le Guin

The range of an airplane–a few thousand miles, the other side of the world, coconut palms, glaciers, the poles, the Poles, a lama, a llama, etc.–is pitifully limited compared to the vast extent and variety of experience provided, to those who know how to use it, by the airport.

Cover of Death of a Salesman

Death of a Salesman

Arthur Miller

Linda: Willy!
Willy: It's alright. I came back.
Linda: Why? What happened? Did something happen, Willy?
Willy: No, nothing happened.
Linda: You didn't smash the car did you?

Cover of Letters to a Young Poet

Letters to a Young Poet

Rainer Maria Rilke

Dear Sir,
Your letter only reached me a few days ago. Let me thank you for the great and endearing trust it shows. There is little more I can do. I cannot go into the nature of your verses, for any critical intention is too remote from me. There is nothing less apt to touch a work of art than critical words: all we end up with there is more or less felicitous misunderstandings. Things are not all as graspable and sayable as on the whole we are led to believe; most events are unsayable, occur in a space that no word has ever penetrated, and most unsayable of all are works of art, mysterious existences whose life endures alongside ours, which passes away.

Cover of Anything You Want

Anything You Want: 40 Lessons for a New Kind of Entrepreneur

Derek Sivers

From 1998 to 2008, I had this wild experience of starting a little hobby, accidentally growing it into a big business, and then selling it for $22 million. So now people want to hear my thoughts.

Cover of East of Eden

East of Eden

John Steinbeck

The Salinas Valley is in Northern California. It is a long narrow swale between two ranges of mountains, and the Salinas River winds and twists up the center until it falls at last into Monterey Bay.

Cover of In Pharaoh’s Army

In Pharaoh’s Army: Memories of the Lost War

Tobias Wolff

Some peasants were blocking the road up ahead. I honked the horn but they chose not to hear. They were standing around under their pointed hats, watching a man and a woman yell at each other. When I got closer I saw two bicycles tangled up, a busted wicker basket, and vegetables all over the road. It looked like an accident.

Cover of Empire of Silence

Empire of Silence: The Sun Eater: Book One

Christopher Ruocchio

LIGHT.
The light of that murdered sun still burns me. I see it through my eyelids, blazing out of history from that bloody day, hinting at fires indescribable. It is like something holy, as if it were the light of God’s own heaven that burned the world and billions of lives with it. I carry that light always, seared into the back of my mind. I make no excuses, no denials, no apologies for what I have done.
I know what I am.

Cover of Flowers For Algernon

Flowers For Algernon

Daniel Keyes

Dr. Strauss says I should rite down what I think and remembir and evrey thing that happins to me from now on. I dont no why but he says its importint so they will see if they can use me. I hope they can use me becaus Miss Kinnian says mabye they can make me smart. I want to be smart.

Cover of Stoner

Stoner

John Williams

William Stoner entered the University of Missouri as a freshman in the year 1910, at the age of nineteen. Eight years later, during the height of World War I, he received his Doctor of Philosophy degree and accepted an instructorship at the same University, where he taught until his death in 1956. He did not rise above the rank of assistant professor, and few students remembered him with any sharpness after they had taken his courses. When he died his colleagues made a memorial contribution of a medieval manuscript to the University library. This manuscript may still be found in the Rare Books Collection, bearing the inscription: "Presented to the Library of the University of Missouri, in memory of William Stoner, Department of English. By his colleagues."

Cover of Roadside Picnic

Roadside Picnic

Arkady Strugatsky, Boris Strugatsky, Olena Bormashenko

"I suppose that your first serious discovery, Dr. Pilman, should be considered what is now called the Pilman Radiant?"

Cover of Frankenstein

Frankenstein: The 1818 Text

Mary Shelley

To Mrs. Saville, England.
St. Petersburgh, Dec. 11th, 17–.
You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday; and my first task is to assure my dear sister of my welfare, and increasing confidence in the success of my undertaking.

Cover of Shadow & Claw

Shadow & Claw: The Book of the New Sun 1-2

Gene Wolfe

It is possible I already had some presentiment of my future. The locked and rusted gate that stood before us, with wisps of river fog threading its spikes like the mountain paths, remains in my mind now as the symbol of my exile. That is why I have begun this account of it with the aftermath of our swim, in which I, the torturer’s apprentice Severian, had so nearly drowned.

Cover of Hyperion

Hyperion

Dan Simmons

THE HEGEMONY CONSUL sat on the balcony of his ebony spaceship and played Rachmaninoff’s Prelude in C-sharp Minor on an ancient but well-maintained Steinway while great, green, saurian things surged and bellowed in the swamps below. A thunderstorm was brewing to the north. Bruise-black clouds silhouetted a forest of giant gymnosperms while stratocumulus towered nine kilometers high in a violent sky. Lightning rippled along the horizon. Closer to the ship, occasional vague, reptilian shapes would blunder into the interdiction field, cry out, and then crash away through indigo mists. The Consul concentrated on a difficult section of the Prelude and ignored the approach of storm and nightfall.

Cover of Lessons in Chemistry

Lessons in Chemistry

Bonnie Grams

Back in 1961, when women wore shirtwaist dresses and joined garden clubs and drove legions of children around in seatbeltless cars without giving it a second thought; back before anyone knew there’d even be a sixties movement, much less one that its participants would spend the next sixty years chronicling; back when the big wars were over and the secret wars had just begun and people were starting to think fresh and believe everything was possible, the thirty-year-old mother of Madeline Zott rose before dawn every morning and felt certain of just one thing: her life was over.

Cover of The Metaphysical Club

The Metaphysical Club: A Story of Ideas in America

Louis Menand

Oliver Wendell Holmes, Jr. was an officer in the Union Army. He stood six feet three inches tall and had a soldierly bearing. In later life, he loved to use military metaphors in his speeches and his conversation; he didn’t mind being referred to good-naturedly as Captain Holmes; and he wore his enormous military mustaches until his death in 1935, at the age of ninety-three. The war was the central experience of his life, and he kept its memory alive. Every year he drank a glass of wine in observance of the anniversary of the battle Antietam, where he had been shot in the neck and left, briefly behind enemy lines, for dead.

Cover of Harrow the Ninth

Harrow the Ninth: Locked Tomb 2

Tamsyn Muir

YOUR ROOM HAD LONG AGO plunged into near-complete darkness, leaving no distraction from the great rocking thump—thump—thump of body after body flinging itself onto the great mass already coating the hull. There was nothing to see—the shutters were down—but you could feel the terrible vibration, hear the groan of chitin on metal, the cataclysmic rending of steel by fungous claw.

Cover of Postcolonial Love Poem

Postcolonial Love Poem

Natalie Diaz

I’ve been taught bloodstones can cure a snakebite, can stop the bleeding—most people forgot this when the war ended. The war ended depending on which war you mean: those we started, before those, millennia ago and onward, those which started me, which I lost and won—these ever-blooming wounds.

Cover of Gideon the Ninth

Gideon the Ninth: Locked Tomb 1

Tamsyn Muir

IN THE MYRIADIC YEAR OF OUR LORD—the ten thousandth year of the King Undying, the kindly Prince of Death!—Gideon Nav packed her sword, her shoes, and her dirty magazines, and she escaped from the House of the Ninth.

Cover of Klara and the Sun

Klara and the Sun

Kazuo Ishiguro

When we were new, Rosa and I were mid-store, on the magazines table side, and could see through more than half of the window. So we were able to watch the outside – the office workers hurrying by, the taxis, the runners, the tourists, Beggar Man and his dog, the lower part of the RPO Building. Once we were more settled, Manager allowed us to walk up to the front until we were right behind the window display, and then we could see how tall the RPO Building was. And if we were there at just the right time, we would see the Sun on his journey, crossing between the building tops from our side over to the RPO Building side.

Cover of The Overstory

The Overstory

Richard Powers

First there was nothing. Then there was everything

Cover of Something Wicked This Way Comes

Something Wicked This Way Comes

Ray Bradbury

THE SELLER of lightning rods arrived just ahead of the storm. He came along the street of Green Town, Illinois, in the late cloudy October day, sneaking glances over his shoulder. Somewhere not so far back, vast lightnings stomped the earth. Somewhere, a storm like a great beast with terrible teeth could not be denied.

Cover of Dancing at the Rascal Fair

Dancing at the Rascal Fair

Ivan Doig

To say the truth, it was not how I expected—stepping off toward America past a drowned horse.

Cover of Gasoline

Gasoline

Gregory Corso

O anti-verdurous phallic were’t not for your pouring weight looming in tears like a sick tree or your ever-gaudy-comfort jabbing your city’s much wrinkled sky you’d seem an absurd Babel squatting before mortal millions

Cover of Angle of Repose

Angle of Repose

Wallace Stegner

Now I believe they will leave me alone. Obviously Rodman came up hoping to find evidence of my incompetence—though how an incompetent could have got this place renovated, moved his library up, and got himself transported to it without arousing the suspicion of his watchful children, ought to be a hard one for Rodman to answer. I take some pride in the way I managed all that. And he went away this afternoon without a scrap of what he would call data.

Cover of The Phantom Tollbooth

The Phantom Tollbooth

Norton Juster, Jules Feiffer, illus.

There was once a boy named Milo who didn’t know what to do with himself—not just sometimes, but always.

Cover of The Best of Saki

The Best of Saki: Selected wtih an Introduction by Graham Greene

Saki

After all,” said the Duchess vaguely, “there are certain things you can’t get away from. Right and wrong, good conduct and moral rectitude, have certain well-defined limits.”

Cover of House Made of Dawn

House Made of Dawn

N. Scott Momaday

Dypaloh. There was a house made of dawn. It was made of pollen and of rain, and the land was very old and everlasting. There were many colors on the hills, and the plain was bright with different-colored clays and sands. Red and blue and spotted horses grazed in the plain, and there was a dark wilderness on the mountains beyond. The land was still and strong. It was beautiful all around.

Cover of On Writing

On Writing: A Memoir of the Craft

Stephen King

I was stunned by Mary Karr’s memoir, The Liars’ Club. Not just by its ferocity, its beauty, and by her delightful grasp of the vernacular, but by its totality—she is a woman who remembers everything about her early years.”

Cover of The Captive Mind

The Captive Mind

Czeslaw Milosz

It was only toward the middle of the twentieth century that the inhabitants of many European countries came, in general unpleasantly, to the real­ization that their fate could be influenced directly by intricate and abstruse books of philosophy. Their bread, their work, their private lives began to depend on this or that decision in disputes on principles to which, until then, they had never paid any attention. In their eyes, the philosopher had always been a sort of dreamer whose divagations had no effect on real­ity. The average human being, even if he had once been exposed to it, wrote philosophy off as utterly impractical and useless. Therefore the great intellec­tual work of the Marxists could easily pass as just one more variation on a sterile pastime. Only a few in­dividuals understood the causes and probable conse­quences of this general indifference.

Cover of Foundation

Foundation

Isaac Asimov

His name was Gaal Dornick and he was just a country boy who had never seen Trantor before. That is, not in real life. He had seen it many times on the hyper-video, and occasionally in tremendous three-dimensional newscasts covering an Imperial Coronation or the opening of a Galactic Council. Even though he had lived all his life on the world of Synnax, which circled a star at the edges of the Blue Drift, he was not cut off from civilization, you see. At that time, no place in the Galaxy was.

Cover of To a God Unknown

To a God Unknown

John Steinbeck

When the crops were under cover on the Wayne farm near Pittsford in Vermont, when the winter wood was cut and the first light snow lay on the ground, Joseph Wayne went to the wing-back chair by the fireplace late one afternoon and stood before his father. These two men were alike. Each had a large nose and high, hard cheekbones; both faces seemed made of some material harder and more durable than flesh, a stony substance that did not easily change. Joseph’s beard was black and silky, still thin enough so that the shadowy outline of his chin showed through. The old man’s beard was long and white. He touched it here and there with exploring fingers, turned the ends neatly under out of harm’s way. A moment passed before the old man realized that his son was beside him. He raised his eyes, old and knowing and placid eyes and very blue. Joseph’s eyes were as blue, but they were fierce and curious with youth. Now that he had come before his father, Joseph hesitated to stand to his new heresy.

Cover of Desert Solitaire

Desert Solitaire

Edward Abbey

This is the most beautiful place on earth.

Cover of Wuthering Heights

Wuthering Heights

Emily Brontë

1801.—I have just returned from a visit to my landlord—the solitary neighbour that I shall be troubled with.  This is certainly a beautiful country!  In all  England, I do not believe that I could have fixed on a situation so completely  removed from the stir of society.  A perfect misanthropist’s heaven: and Mr.  Heathcliff and I are such a suitable pair to divide the desolation between us. A capital fellow! He little imagined how my heart warmed towards him when I beheld his black eyes withdraw so suspiciously under their brows, as I rode up, and when his fingers sheltered themselves, with a jealous resolution, still further  in his waistcoat, as I announced my name.

Cover of Pilgrim at Tinker Creek

Pilgrim at Tinker Creek

Annie Dillard

I used to have a cat, an old fighting tom, who would jump through the open window by my bed in the middle of the night and land on my chest. I’d half-awaken. He’d stick his skull under my nose and purr, stinking of urine and blood. Some nights he kneaded my bare chest with his front paws, powerfully, arching his back, as if sharpening his claws, or pummeling a mother for milk. And some mornings I’d wake in daylight to find my body covered with paw prints in blood; I looked as though I’d been painted with roses.

Cover of I Heard the Owl Call My Name

I Heard the Owl Call My Name

Margaret Craven

He stood at the wheel, watching the current stream, and the bald eagles fishing for herring that waited until the boat was almost upon them to lift, to drop the instant it had passed. The tops of the islands were wreathed in cloud, the sides fell steeply, and the fires that covered them grew so precisely to the high tide line that now, at slack, the upcoast of British Columbia showed its bones in a straight selvage of wet, dark rock.

Cover of A Canticle for Leibowitz

A Canticle for Leibowitz

Walter M. Miller

Brother Francis Gerard of Utah might never have discovered the blessed documents, had it not been for the pilgrim with girded loins who appeared during that young novice’s Lenten fast in the desert.

Cover of Fall, or Dodge in Hell

Fall, or Dodge in Hell

Neal Stephenson

Dodge became conscious. His phone was burbling on the bedside table. Without opening his eyes he found it with his hand, jerked it free of its charging cord, and drew it into bed with him. He tapped it once to invoke its snooze feature. It became silent. He rolled onto his side and slid the phone under his pillow so that, when the alarm resumed in nine minutes, he would be able to put it back into snooze mode with less trouble. It was a small miracle that his brain contained a sufficient 3-D model of his bed and its surroundings that he was able to do what he had just done without opening his eyes. But there was no reason to press his luck.

Cover of Future Home of the Living God

Future Home of the Living God

Louise Erdrich

When I tell you that my white name is Cedar Hawk Songmaker and that I am the adopted child of Minneapolis liberals, and that when I went looking for my Ojibwe parents and found that I was born Mary Potts I hid the knowledge, maybe you’ll understand. Or not. I’ll write this anyway, because ever since last week things have changed. Apparently—I mean, nobody knows—our world is running backward. Or forward. Or maybe sideways, in a way as yet ungrasped. I am sure somebody will come up with a name for what is happening, but I cannot imagine how everything around us and everything within us can be fixed. What is happening involves the invisible, the quanta of which we are created. Whatever is actually occurring, there is constant breaking news about how it will be handled—speculation, really, concerning what comes next—which is why I am writing an account.

Cover of The Sun Temple

The Sun Temple

B.F. Späth

The Noonday Sun, ancient, divine, and unassailable, nevertheless found himself in a quandary as he tried to make his way down to me in Apartment No. 1. The Reigning God peered and squinted down the dark and narrow alley between the old tenements, generating sparks and flashes as he attempted to navigate the fire esacpes and ledges, and losing a good deal of his flame in the process. He caromed off the moldering bricks, which absorbed more of his strength, and finally arrived apologetically at my dusty and decrpit window in the form of a feeble ghost.

Cover of The Giver

The Giver

Lois Lowry

It was almost December, and Jonas was beginning to be frightened. No. Wrong word, Jonas thought. Frightened meant that deep, sickening feeling of something terrible about to happen. Frightened was the way he had felt a year ago when an unidentified aircraft had overflown the community twice. He had seen it both times. Squinting toward the sky, he had seen the sleek jet, almost a blur at its high speed, go past, and a second later heard the blast of sound that followed. Then one more time, a moment later, from the opposite direction, the same plane.

Cover of Enlightenment Now

Enlightenment Now: The Case for Reason, Science, Humanism, and Progress

Steven Pinker

In the course of several decades giving public lectures on language, mind, and human nature, I have been asked some mighty strange questions. Which is the best language? Are clams and oysters conscious? When will I be able to upload my mind to the Internet? Is obesity a form of violence?

Cover of 1984

1984

George Orwell

It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

Cover of The Gunslinger

The Gunslinger: The Dark Tower 1

Stephen King

The man in black fled across the desert, and the gunslinger followed.

Cover of Stuart Little

Stuart Little

E.B. White

When Mrs. Frederick C. Little’s second son arrived, everybody noticed the he was not much bigger than a mouse. The truth of the matter was the baby looked very much like a mouse in every way.

Cover of Fahrenheit 451

Fahrenheit 451

Ray Bradbury

It was a pleasure to burn.

Cover of Man’s Search for Meaning

Man’s Search for Meaning

Viktor E. Frankl

This book does not claim to be an account of facts and events but of personal experiences, experiences which millions of prisoners have suffered time and again. It is the inside story of a concentration camp, told by one of its survivors. This tale is not concerned with the great horrors, which have already been described often enough (though less often believed), but with the multitude of small torments. In other words, it will try to answer this question: How was everyday life in a concentration camp reflected in the mind of the average prisoner?

Cover of Between the World and Me

Between the World and Me

Ta-Nehisi Coates

Son,
Last Sunday the host of a popular news show asked me what it meant to lose my body. The host was broadcasting from Washington, D.C., and I was seated in a remote studio on the far west side of Manhattan. A satellite closed the miles between us, but no machinery could close the gap between her world and the world for which I had been summoned to speak. When the host asked me about my body, her face faded from the screen, and was replaced by a scroll of words, written by me earlier that week.

Cover of Seveneves

Seveneves

Neal Stephenson

THE MOON BLEW UP WITHOUT WARNING AND FOR NO APPARENT reason. It was waxing, only one day short of full. The time was 05:03:12 UTC. Later it would be designated A+0.0.0, or simply Zero.

Cover of The Boys in the Boat

The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Olympics

Daniel James Brown

Monday, October 9, 1933, began as a gray day in Seattle. A gray day in a gray time.

Cover of The Road

The Road

Cormac McCarthy

When he woke in the woods in the dark and the cold of the night he’d reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more gray each one than what had gone before. Like the onset of some cold glaucoma dimming away the world. His hand rose and fell softly with each precious breath. He pushed away the plastic tarpaulin and raised himself in the stinking robes and blankets and looked toward the east for any light but there was none. In the dream from which he’d wakened he had wandered in a cave where the child led him by the hand. Their light playing over the wet flowstone walls. Like pilgrims in a fable swallowed up and lost among the inward parts of some granitic beast. Deep stone flues where the water dripped and sang. Tolling in the silence the minutes of the earth and the hours and the days of it and the years without cease. Until they stood in a great stone room where lay a black and ancient lake. And on the far shore a creature that raised its dripping mouth from the rimstone pool and stared into the light with eyes dead white and sightless as the eggs of spiders. It swung its head low over the water as if to take the scent of what it could not see. Crouching there pale and naked and translucent, its alabaster bones cast up in shadow on the rocks behind it. Its bowels, its beating heart. The brain that pulsed in a dull glass bell. It swung its head from side to side and then gave out a low moan and turned and lurched away and loped soundlessly into the dark.

Cover of A Sand County Almanac

A Sand County Almanac: And Sketches Here and There

Aldo Leopold

Each year, after the midwinter blizzards, there comes a night of thaw when the tinkle of dripping water is heard in the land. It brings strange stirrings, not only to creatures abed for the night, but to some who have been asleep for the winter. The hibernating skunk, curled up in his deep den, uncurls himself and ventures forth to prowl the wet world, dragging his belly in the snow. His track marks one of the earliest datable events in that cycle of beginnings and ceasings which we call a year.

Cover of When We Cease to Understand the World

When We Cease to Understand the World

Benjamín Labatut

In a medical examination on the eve of the Nuremburg Trials, the doctors found the nails of Hermann Göring’s fingers and toes stained a furious red, the consequence of his addiction to dihydrocodeine, an analgesic of which he took more than one hundred pills a day. William Burroughs described it as similar to heroin, twice as strong as codeine, but with a wired coke-like edge, so the North American doctors felt obliged to cure Göring of his dependency before allowing him to stand before the court. This was not easy. When the Allied forces caught him, the Nazi leader was dragging a suitcase with more than twenty thousand doses, practically all that remained of Germany’s production of the drug at the end of the Second World War.

Cover of God is not Great

God is not Great: How Religion Poisons Everything

Christopher Hitchens

If the intended reader of this book should want to go beyond disagreement with its author and try to identify the sins and deformities that animated him to write it (and I have certainly noticed that those who publicly affirm charity and compassion and forgiveness are often inclined to take this course), then he or she will not just be quarreling with the unknowable and ineffable creator who—presumably—opted to make me this way. They will be defiling the memory of a good, sincere, simple woman, of stable and decent faith, named Mrs. Jean Watts.

Cover of All the Pretty Horses

All the Pretty Horses

Cormac McCarthy

The Candleflame and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping.

Cover of The Great Gatsby

The Great Gatsby

F. Scott Fitzgerald

In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.

Cover of Dune

Dune

Frank Herbert

In the week before their departure to Arrakis, when all the final scurrying about had reached a nearly unbearable frenzy, an old crone came to visit the mother of the boy, Paul.

Cover of On the Road

On the Road

Jack Kerouac

I first met Dean not long after my wife and I split up. I had just gotten over a serious illness that I won’t bother to talk about, except that it had something to do with the miserably weary split-up and my feeling that everything was dead. With the coming of Dean Moriarty began the part of my life you could call my life on the road. Before that I’d often dreamed of going West to see the country, always vaguely planning and never taking off. Dean is the perfect guy for the road because he actually was born on the road, when his parents were passing through Salt Lake City in 1926, in a jalopy, on their way to Los Angeles. First reports of him came to me through Chad King, who’d shown me a few letters from him written in a New Mexico reform school. I was tremendously interested in the letters because they so naively and sweetly asked Chad to teach him all about Nietzsche and all the wonderful intellectual things that Chad knew. At one point Carlo and I talked about the letters and wondered if we would ever meet the strange Dean Moriarty. This is all far back, when Dean was not the way he is today, when he was a young jailkid shrouded in mystery. Then news came that Dean was out of reform school and was coming to New York for the first time; also there was talk that he had just married a girl called Marylou.

Cover of The Subterraneans

The Subterraneans

Jack Kerouac

Once I was young and had so much more orientation and could talk with nervous intelligence about everything and with clarity and without as much literary preambling as this; in other words this is the story of an unself-confident man, at the same time of an egomaniac, naturally, facetious won’t do—just to start at the beginning and let the truth seep out, that’s what I’ll do—. It began on a warm summernight—ah, she was sitting on a fender with Julien Alexander who is … let me begin with the history of the subterraneans of San Francisco…

Cover of All the Names

All the Names

José Saramago

Above the door frame is a long, narrow plaque of enamelled metal. The black letters set against a white background say Central Registry of Births, Marriages and Deaths. Here and there the enamel is cracked and chipped. The door is an old door, the most recent layer of brown paint is beginning to peel, and the exposed grain of the wood is reminiscent of a striped pelt. There are five windows along the facade. As soon as you cross the threshold, you notice the smell of old paper. It's true that not a day passes without new pieces of paper entering the Central Registry, papers referring to individuals of the male sex and of the female sex who continue to be born in the outside world, but the smell never changes, in the first place, because the fate of all paper, from the moment it leaves the factory, is to begin to grow old, in the second place, because on the older pieces of paper, but often on the new paper too, not a day passes without someone's inscribing it with the causes of death and the respective places and dates, each contributing its own particular smells, not always offensive to the olfactory mucous membrane, a case in point being the aromatic effluvia which, from time to time, waft lightly through the Central Registry, and which the more discriminating noses identify as a perfume that is half rose and half chrysanthemum.

Cover of Aurora

Aurora

Kim Stanley Robinson

Freya and her father go sailing. Their new home is in an apartment building that overlooks a dock on the bay at the west end of Long Pond. The dock has a bunch of little sailboats people can take out, and an onshore wind blows hard almost every afternoon. “That must be why they call this town the Fetch,” Badim says as they walk down to take out one of these boats. “We always catch the brunt of the afternoon wind over the lake.”

Cover of The Killer Angels

The Killer Angels

Michael Shaara

He rode into the dark of the woods and dismounted. He crawled upward on his belly over cool rocks out into the sunlight, and suddenly he was in the open and he could see for miles, and there was the whole vast army below him, filling the valley like a smoking river. It came out of a blue rainstorm in the east and overflowed the narrow valley road, coiling along a stream, narrowing and choking at a white bridge, fading out into the yellowish dust of June but still visible on the farther road beyond the blue hills, spiked with flags and guidons like a great chopped bristly snake, the snake ending headless in a blue wall of summer rain.

Cover of Anathem

Anathem

Neal Stephenson

Do your neighbors burn one another alive?” was how Fraa Orolo began his conversation with Artisan Flec.

Cover of Snow Crash

Snow Crash

Neal Stephenson

The Deliverator belongs to an elite order, a hallowed subcategory. He’s got esprit up to here. Right now, he is preparing to carry out his third mission of the night. His uniform is black as activated charcoal, filtering the very light out of the air. A bullet will bounce off its arachnofiber weave like a wren hitting a patio door, but excess perspiration wafts through it like a breeze through a freshly napalmed forest. Where his body has bony extremities, the suit has sintered armorgel: feels like gritty jello, protects like a stack of telephone books.

Cover of Blindsight

Blindsight

Peter Watts

IMAGINE YOU ARE Siri Keeton.
You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate, flesh peels apart from flesh, ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You’re a stick man, frozen in some perverse rigor vitae.

Cover of Neuromancer

Neuromancer

William Gibson

THE SKY ABOVE the port was the color of television, tuned to a dead channel.